• Welcome to Jeff's Corner
    Welcome to Jeff's Corner Here we are presenting drumming articles, tips and videos from performer and University of Vermont percussion teacher, Jeff Salisbury
  • Jeff's Melodic Motions Studies I
    Jeff's Melodic Motions Studies I From BRMP-Drums - Melodic Motions Studies  - Jeff Salisbury I was introduced to Jeff Salisbury's unique tonal exercises at the 2010 Kosa Percussion Workshops. I found the motion around the drum set challenging - usually stabbing myself or catching stick tips on the different drum hoops. But it's the different sounds created…
  • Jeff"s Melodic Motions Studies II
    Jeff"s Melodic Motions Studies II As mentioned in the previous article on Jeff Salisbury's Melodic Motion Studies for Drumset, Exercise 5 of  Part 1, will incorporate the ideas from the previous single-stroke exercises but using the rudiment,  paradiddle-diddle.   ****************************************************************** The book has four part each with increasing complexity. Part One continues with exercises utilizing…
Melodic Motions Studies for Drumset

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Billy Ward Bio

 Billy Ward

Billy Ward is from Cincinnati Ohio. When he was nine, he began formal drum lessons with well-known local drummer, Jack Volk. "Mr. Volk was a stickler for holding the sticks properly, reading music and independence. He was a great teacher." While in the fifth grade, Billy began playing with local bands. Billy listened to, and tried to play, all kinds of music; from James Brown to Miles Davis; The Who to Charles Mingus.

At the age of fifteen, Billy got his first studio experience when he became the house drummer for a local Cincinnati gospel recording studio/label. While attending The Cincinnati Conservatory of Music, Billy says: "I had a technical gig mixing the sound at a Thad Jones/ Mel Lewis concert in Cincinnati and I met Mel Lewis, who said I needed to go to New York (to Frank Ippolito's Drum Shop) to get a set of K. Zildjian (Istanbul) cymbals. This was during the early 70's. In New York, I selected a set of K's with assistance from Papa Jo Jones, who was just hangin' out at the shop that day!!!"

"I also got an extremely influencial drum lesson with Elvin Jones that, due to his generosity, lasted six hours! I will always be indebted to Mr. Jones for the many gifts he shared that day." Billy quit the conservatory in the second year when he realized that he wanted to play jazz and rock. "Counting two hundred and ten measures to play a two measure chime part wasn't my thing." His symphonic career ended, it was off to North Texas State University; a jazz school that emphasized playing.

"I was too stubborn and headstrong to participate anymore in a college program, so I quit NTSU after one week....but lived there and played in the Dallas / Fort Worth area four years before coming to New York. All I did was practice- practice- practice ... wierd stuff too (largely thanks to a Northern Indian Nonesuch record that I fell in love with) seven over five over three kind of stuff! I then believed that jazz, or improvised music, was the only real art form. I now know I was way off base. The world is round, not flat, and there are many ways to create art."

When Billy moved to New York, he started working around town playing in local groups and mostly earned his living playing in local groups, including wedding bands. Eventually, his playing became more seasoned and improved along with the work he was getting.

In the last fifteen years Billy has toured and /or recorded (among others) with jazz artists Jim Beard, Bill Evans Supergroup, Leni Stern, B.B. King, George Russell and Living Time Orchestra, pop artists The Knack, Jimmy Webb, Carly Simon, Richard Marx, ex-KISS star Ace Frehley's Comet, and unclassifiable talents like Bill Champlin, Robbie Robertson, Yoko Ono, and Chris Whitley. Most recently Billy completed a year and a half tour with singer Joan Osborne.

Source: billyward.com

Product News

  • ProLogix Percussion has produced a perfect practice pad for the rudimental bass-drummer. This drummer friendly unit fits any 8mm cymbal stand and is available immediately from stock at Black River Music Plus - Drums.

    Click HERE to learn more about and purchase the ProLogix Percussion PX/MBASS practice for marching bass drummers

    Bass Drum Practice Pad on Stand

  • Cymbal Stands by Percussion Plus

    Two new model cymbal stands now available at Black River Music Plus-Drums.

    These stands from Percussion Plus offer great stability and utility at a reasonable price.

  • Vater MV7 Marching Drumstick

    The Vater MV7 marching drumstick is our latest arrival at Black River Music Plus-Drums

    Vater MV7 Marching Drumstick

  • The Prentice Practice Pad

    Prentice Practice Pads  arrangement

    We now sell the unique Prentice Practice Pad!

    This is truly a wonderful adaption of the traditional angled drum pad.  With this unit the performer can change the playing surface in three different ways:

    - A level surface for marching drummers who perform with their drum on a leveling harness or for anyone preferring  a level playing surface.

    - A lesser drumming angled surface for the set-drummer or anyone who prefers a drum with a little pitch.

    - The traditional acute angle comfortable to those who perform marching on an over-the-shoulder sling.

    For more information and a video demonstration, Click here →  

     


  • Billy Ward

    (Photo Source - billyward.com

    A New Billy Ward Model autograph series drumstick from Pro-Mark!

      This is an improved version of the old Trueline Billy Ward model, now referred to as "The Bulb". We were excited to find that Billy has worked with Pro-Mark to bring back this fine, unique drumstick. There have been numerous enquiries about the Billy Ward Model and other enhanced special grip drumsticks.We are happy to have these available for you!

    Click on the image below to learn more and see a demonstration video by Billy Ward himself.

    Pro-Mark Billy Ward TX526W